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The double LP would eventually become the first hardcore rap album to achieve diamond status.īoth of Biggie Smalls’ albums are an exercise in understanding just how much the Brooklyn, New York, artist’s life had changed in a short amount of time. Two weeks later, his highly anticipated sophomore album Life After Death hit shelves. Biggie Smalls was two months shy of his 25th birthday when he was gunned down at the corner of Fairfax Avenue and Wilshire Boulevard in Los Angeles after leaving an industry party in the early morning hours of March 9, 1997. His career would end soon after that interview, having lasted approximately half a decade. “If I ain’t got everything I want out of the game being in the game for so long, obviously this is not the right game for me.” I really don’t,” a 24-year-old Biggie Smalls told E go Trip in a January 1997 interview. “I don’t wanna be the 30-year-old rapper, man. Rather, he didn’t want to depend on the music industry for the next 10 to 20 years of his life. Not because he knew he would die young (although he certainly recognized the possibility). and friend-turned-foe Tupac Shakur as the only rap performers in the Hall of Fame, never envisioned a long career for himself. But Biggie Smalls, who joins the Beastie Boys, Public Enemy, N.W.A., Run D.M.C. And the institution’s track record with Black music is deserving of the critical analysis it receives. Hip-hop’s recognition in the Rock Hall is still a novel concept.
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“That was the mentality coming out of the ’80s and out of crack and everybody losing their families and not seeing any light on the horizon.”
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“We wanted to make a movie on wax about this kid from Brooklyn who had nothin’ to lose - and he was ready to die,” said Combs, Bad Boy Records’ CEO, in A&E’s 2017 documentary Biggie: The Life of Notorious B.I.G. On “ Everyday Struggle,” the album took aim at politicians as Biggie Smalls rapped that he was “ Seeing body after body and our Mayor Giuliani/ Ain’t trying to see no Black man turn to John Gotti.”
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13, 1994 - the same day President Bill Clinton signed the Violent Crime Control and Law Enforcement Act of 1994.Īt its core, Ready to Die is a product of crack-era New York City and the stop-and-frisk policies that helped make Black kids into criminals because of their skin tone and the environment they were raised in. America was enraged by the explosion of violence, but what about the hopelessness, lack of opportunity and resources, and the anger that fueled that crime? Ready to Die showed life on the other side of the fence. The bill was supposed to crack down on juvenile “ superpredators.” In the years since, it has been widely blamed for contributing to mass incarceration, although its actual impact was mixed.
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Biggie Smalls saw it up close as violent crime increased dramatically in the 1980s and early ’90s, and at least in his time selling crack, was partially responsible for some of it. Families were forever fractured because of a wicked elixir of drugs, police brutality, gun violence and a society that seemingly cared more about punishment than addressing the issues that produced the carnage. Men, women and children lost their lives in record numbers. Make no mistake, there was violence in America’s inner cities. Or, as it’s more notoriously known, the “Crime Bill.” 13, 1994 - the same day President Bill Clinton signed the Violent Crime Control and Law Enforcement Act of 1994. Via coincidence or karma, Ready to Die hit shelves on Sept. But those cuts never overshadowed the pain, paranoia and anger that Biggie Smalls brought to his first album. The album included crossover singles such as “ Big Poppa” and “ One More Chance” that solidified Biggie Smalls as the unorthodox sex symbol Sean “Puffy” Combs had envisioned from the moment he dropped a freestyle in his Uptown Records office in 1991. The grim reality for Biggie Smalls is that while he found massive success (and controversy) in his lifetime, the only project he was able to see live, grow and influence pop culture was his 1994 debut Ready to Die. is the only one linked to one of the most consequential pieces of congressional legislation in recent history – the 1994 Crime Bill. Though lacking the gaudy catalog of his fellow honorees, B.I.G. Hall of Fame career will officially be certified on Saturday when Christopher George Latore Wallace, known the world over as The Notorious B.I.G., aka Biggie Smalls, is inducted into the Rock & Roll Hall of Fame alongside Whitney Houston, Nine Inch Nails, The Doobie Brothers, Depeche Mode and T.Rex.